This book, by one of the most challenging contemporary thinkers, begins with an essay that introduces the principal concern sustained in the four succeeding ones: Why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses―to which the plurality of the arts has most frequently been referred―and sense or meaning in general. Throughout the five essays, Nancy’s argument hinges on the.
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